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Peter Sears print this page
THE GLINT

You see the chairs out there in the field?
And the two big stones -- see them
looping the light across the valley?
The stones are so smooth they could have rolled
in the ocean for centuries.
This valley used to be an ocean floor.
I like to sit on the big stones,
roll my hands over them,
and pretend my words, when I speak,
go out across the valley. I sit and think about
what I am going to say.
I find I don't have much to say.
You'd think that would get me down. It doesn't.
I remember when I had lots to say.
That felt good.
But that was about wanting someone to listen.

A stream passes in front of me
on ground so flat the steam makes no noise.
It helps me think.
It helps me not think, too.
I like to imagine the stream far away,
coming miles across the valley,
down from the mountains, snowcapped year round,
mountains I can see only now and then,
as if, in light, they come down into the valley
and then, during the night,
pull away again.
I would like to move like the mountains
and like the stream , too.
Even in mist, the stream has a glint to it.
I wish I had a friend to talk with about this,
even if we didn't talk.

CONTRIBUTOR
Peter Sears won the 1999 Peregrine Smith Poetry Prize with his manuscript "The Brink," which was published by Gibbs-Smith Publisher. The book then won the 2000 Western States Book Award in poetry. His poems have appeared in The Atlantic, Saturday Review, Field, and Rolling Stone.He lives in Corvallis, Oregon.